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PROGRAMS AT THE REGENT (Cont'd) - page 13 |
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| Program No. 100 - February 28 - March 6, 1931 | |||||||
| Feature Film: "Those Three French Girls" (M.G.M. 1930) with Reginald Denny and Fifi Dorsay | |||||||
| Support Films: "Scotalnd Yard" (Fox, 1930) with Edmond Lowe | |||||||
| Stage: -no detail- | |||||||
| Orchestra: Will Cade conducting | |||||||
| Organ: Eddie Fitch | |||||||
| Program No. 101 March 7-13, 1931 | |||||||
| Feature Film: "Half Shot at Sunrise" (Radio Pictures, 1930) with Bert Wheeler and Bob Woolsey | |||||||
| Support Films: "Last of the Duanes" (Fox, 1930) with George O'Brien and Myna Loy | |||||||
| Stage: -no detail- | |||||||
| Orchestra: Will Cade conducting | |||||||
| Organ: Eddie Fitch | |||||||
| Program No. 102 - March 14-20, 1931 | |||||||
| Feature Film: "Remote Control" (M.G.M., 1930) with William Haines | |||||||
| Support Films: "Up the River" (Fox, 1930), with Spencer Tracy | |||||||
| Stage: Will Cade and The Regent Orchestra in selections from "The Desert Song" with Violet Jackson soprano | |||||||
| Orchestra: Will Cade conducting | |||||||
| Organ: Eddie Fitch | |||||||
| Program No. 103 - March 21-27, 1931 | |||||||
| Feature Film: "A Lady's Morals" (M.G.M., 1930) with Grace Moore, Wallace Beery and Reginald Denny | |||||||
| Support Films: "Call of the Sea" (British Dominions, 1930) with Henry Edwards | |||||||
| Stage: -no detail- | |||||||
| Orchestra: Will Cade conducting | |||||||
| Organ: Eddie Fitch | |||||||
| Program No. 104 - March 28 - April 3, 1931 | |||||||
| Feature Film: "The Sea Wolf" (Fox, 1930) with Milton Sills | |||||||
| Support Films: "The Dancers" (Fox, 1930) with Lois Moran | |||||||
| Stage: -no detail- | |||||||
| Orchestra: Will Cade conducting | |||||||
| Organ: Eddie Fitch | |||||||
| Program No. 105 - April 4-10, 1931 | |||||||
| Feature Film: | |||||||
| "The Big Trail" | |||||||
| (Fox, 1930, Wide Screen) | |||||||
| with John Wayne and Marguerite Churchill | |||||||
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| Program No. 106 - April 11-17, 1931 | |||||||
| Feature Film: "Renegrades" (Fox, 1930) with Warner Baxter and Myna Loy | |||||||
| Support Films: "Passion Flower" (Pathé, 1930) with Charles Bickford, Kay Francis and Lewis Stone | |||||||
| Stage: "The Bai Joves", simultaneous steppers in "A Bouquet of Jazz" | |||||||
| Orchestra: Will Cade conducting | |||||||
| Organ: Eddie Fitch | |||||||
| Program No. 107 - April 18-24, 1931 | |||||||
| Feature Film: "Her Virtuous Folly" (M.G.M., 1930) with Constance Bennett | |||||||
| Support Films: "War Nurse" (M.G.M., 1930) with Robert Montgomery | |||||||
| Stage: - "In a Persian Market" (Ketélbey) | |||||||
| Orchestra: Will Cade conducting | |||||||
| Organ: Eddie Fitch | |||||||
| Review: (Table Talk, April 18, 1931) | |||||||
| "On the same programme the first of the new Regent stage productions will be introduced with a brilliant presentation of Ketélbey's "In a Persian Market" in which Will Cade and an augmented orchestra of fifty performers together with over fifty stage artists will be featured in an interpretation of this well known work. Miss Marjorie Bray has charge of the ballet, and the stage setting is said to be something quite out of the ordinary in the way of lavish spectacles. |
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| "...The Regent has reverted to the stage spectacle once more and presents "A Persian Market" between films. It is crowded with atmosphere and livestock ranging from fantail pigeons to donkeys and a camel. | |||||||
| (Herald, April 17, 1931 - advert.) | |||||||
| "GIGANTIC STAGE SPECTACLE" | |||||||
| "IN A PERSIAN MARKET" with 80 performers | |||||||
| "A lavish and brilliant production of Ketélbey's famous musical work, presented on a scale hitherto unattempted by any theatre in Australasia. Fully interpreted by Will Cade and a hugely augmented orchestra and a huge stage cast. | |||||||
| "Ballets arranged by Marjorie Bray, lyrics and prologue by Reg. Stoneham, scenery by W. Coleman. | |||||||
| "Real stage 'atmospherics' include live camel, donkeys, pigeons etc., Gorgeous display of Persian handicraft supplied by Craig Williamson Pty., Ltd., | |||||||
| "See the £5000 Persian rug display in the foyer. | |||||||
| (Herald, April 18, 1931) | |||||||
| "STAGE SHOWS INSPIRED BY MUSIC" | |||||||
| "NEW IDEAS AT THE REGENT" | |||||||
| "Stage interpretations of popular musical works are to be given periodically at Hoyt's Regent Theatre. "In a Persian Market" presented there today is the first of the series. | |||||||
| George Deane, the new General Manager of the Regent and Plaza has already given proof of his originality of thought and enterprise. | |||||||
| The new stage shows are to be elaborately produced. If a thing is worth doing, it should be done well is the belief of Mr. Deane, who has engaged eighty performers for the stage interpretation of Ketélbey's music, and obtained a number of animals to help in providing the necessary atmosphere. The camel had to be bought. After this animal has finished its stage work, it may be presented to the zoo. | |||||||
| Remarkable lighting effects will be introduced in the visualisation of Rossini's "William Tell" overture. For the storm scene, lightening will be flashed in the middle of the auditorium. A stage band of one hundred will be employed on that occasion. | |||||||
| Impressions derived from Imigini's "Ballet Egyptian" and Ketélbey's "In a Chinese Temple Garden" are also to be transferred to the stage. | |||||||
| Mr. Deane intends to give one of these interpretive presentations about every six weeks. | |||||||
| The stage shows will not mean any reduction of the picture programmes." | |||||||
| (Herald, April 20, 1931) | |||||||
| "IN A PERSIAN MARKET STAGES" | |||||||
| "Something new in stage shows is given this week at Hoyt's Regent Theatre. This is an elaborate and beautiful interpretation of Ketélbey's "In a Persian Market". The stage is transformed into an oriental city market scene, rich in colour and true in detail. No expense has been spared to create exact atmosphere for Ketélbey's music. Numerous performers take part. The show is produced by Ray Nelson. | |||||||
| (Little is known about
composer Reginald Stoneham other than he was a song writer who lived
in St Kilda, Melbourne. Stoneham's music was published widely, usually with local publishers and sometimes by himself. His themes were largely based on localities, sporting pastimes, patriotic songs and songs about new technologies such as the gramophone. He also undertook commercial commissions and dance and salon pieces for the piano.) |
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| (Craig Williamson Pty Ltd was a furnishings and drapery retailer with a building in Flinders Street. The firm was taken over in 1926 by Marcus Clarke and Company Limited. In 1966 this company was take over by Waltons Limited and changed its name to Waltons Stores Limited.) | |||||||
| Program No. 108 - April 25- May 1, 1931 | |||||||
| Feature Film: "Lightnin'" (Fox, 1930) with Will Rogers | |||||||
| Support Films: "A Devil with Women" (Fox, 1930) with Victor McLaglen | |||||||
| Stage: -no detail - | |||||||
| Orchestra: Will Cade conducting | |||||||
| Organ: Eddie Fitch | |||||||
| Program No. 109 - May 2-8, 1931 | |||||||
| Feature Film: "The Man Who Came Back" (Fox, 1930) with Charles Farrell and Janet Gaynor | |||||||
| Support Films: "Leave it to Me" (British Dominions, 1930) with Herbert Munden | |||||||
| Stage: - "Gorgeous Lingerie Parade" presented by "Smart Set" and featuring 20 girls. | |||||||
| Orchestra: Will Cade conducting | |||||||
| Organ: Eddie Fitch | |||||||
| Program No. 110 - May 9-15, 1931 | |||||||
| Feature Film: "Hook, Line and Sinker" (Radio Pictures, 1930) with Bert Wheeler and Bob Woolsey | |||||||
| Support Films: "Under Suspicion" (Fox, 1930), with Lois Moran | |||||||
| Stage: - "Will Cade and the Stage Band with "The Leonias" Adagio Dancers in an oriental fantasy | |||||||
| Orchestra: Will Cade conducting | |||||||
| Organ: Eddie Fitch with the "Two Co-Eds" in a novelty organ presentation - "Harmony Unique" | |||||||
| (Friday, May 15, 1931 - Old Scotch Collegians - Boat Rate Night performance) | |||||||
| Program No. 111 - May 16-24, 1931 | |||||||
| Feature Film: "Reducing" (M.G.M., 1930) with Marie Dressler and Polly Moran | |||||||
| Support Films: "The Romantic Vagabond" (Fox, 1930) with Reginald Denny | |||||||
| Stage: - -no detail- | |||||||
| Orchestra: Will Cade conducting | |||||||
| Organ: Eddie Fitch | |||||||
| Program No. 112 - May 23-29, 1931 | |||||||
| Feature Film: "May I Come In?" (Fox, 1930), with Edmond Lowe | |||||||
| Support Films: "A Gentleman's Fate" (M.G.M., 1930) with John Gilbert | |||||||
| Stage: - "Brilliant Empire Pageant", native dances and music arranged by the Royal Caledonian Society with 100 performers. | |||||||
| Orchestra: Will Cade conducting | |||||||
| Organ: Eddie Fitch | |||||||
| (May 24 was celebrated as (British) Empire Day) | |||||||
| Program No. 113 - May 30 -June 6, 1931 | |||||||
| Feature Film: "The Boudoir Diplomat" (Universal, 1930) with Betty Compson & Mary Duncan | |||||||
| Support Films: "Fair Warning" (Fox, 1930) with George O'Brien | |||||||
| Stage: - "Artic Antics" with Will Cade and the Stage Band with Milton and Pacey - English Whirlwind Skaters, Pat Keating - the three years old wonder child, The Regent Specialty Ballet on skates (for the first time in Australia) and the Penguin Ballet. Dances arranged by Margaret Bury | |||||||
| Orchestra: Will Cade conducting | |||||||
| Organ: Eddie Fitch | |||||||
| PREVIOUS | NEXT | ||||||

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| Bert Wheeler and Bob Woolsey |
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| Myna Loy |
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| Spencer Tracy |
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| Grace Moore |
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| Wallace Beery |
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| Albert William Ketèlbey (1875-1959) |
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was born in Birmingham, England, the son of George Ketelbey (written with no accent), and Sarah Aston. At the age of eleven he wrote a piano sonata that won praise from Edward Elgar. Ketèlbey attended the Trinity College of Music in London, where he showed his talent for playing various orchestral instruments reflected in the masterfully colourful orchestration, especially of oriental inspiration, that became his trademark, and beat the runner-up, Gustav Holst, for a musical scholarship. He used the pseudonyms Raoul Clifford and Anton Vodorinski for some of his earlier works (some reference books mistakenly give Vodorinski as his true name and Ketèlbey as the pseudonym). His name is frequently misspelt Ketelby. Being appointed musical director of London's Vaudeville Theatre, Ketèlbey continued writing diverse vocal and instrumental music. Later, he became famous for composing lightweight, popular music, much of which was used as accompaniments to silent films, and as mood music at tea dances. Success enabled him to relinquish his London appointments. Once, whilst conducting a programme of his own music at a Royal Command Performance, Ketèlbey gave a second rendering of the State Procession movement of his Cockney Suite during the interval, at the request of King George V, who had arrived too late to hear it performed at the beginning of the programme. He was active in several other fields including being music editor to some well-known publishing houses and for some years Musical Director of the Columbia Graphophone Company. Although not proven he is frequently quoted as becoming Britains first millionaire composer. In 1929 he was proclaimed in the "Performing Right Gazette" as "Britain’s greatest living composer", on the basis of number of performances of his works. Ketèlbey had a long and happy marriage to a singer, Charlotte Siegenberg (born 1871, died 1947). After her death he married Mabel Maud Pritchett. There were no children by either marriage. He died at his home, Egypt Hill, in Cowes, where he had moved to in order to concentrate on writing and his hobby of playing billiards. Ketèlbey's music is frequently heard on radio. In a 2003 poll by the BBC radio programme Your hundred best tunes, 'Bells across the meadow' was voted 36th most popular song of all time. |
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